Wildlife photography in India

We, at The Ranthambhore Bagh, love our photography and travel. We enjoy traveling, are passionate about our wildlife and are very serious about wildlife photography. The three areas that we do know very well are India, Sri Lanka and east Africa. We have a wildlife travel wing called Bagh Safari that has been planning and organizing photo tours for over 15 years. We do know our north, east and west India very well and in southern India, Sri Lanka and east Africa we have old tie ups with some of the best naturalists and travel companies. We are the Indian representatives of Sunworld Safari which is one of east Africa's finest photo safari company. 

For many years we have been travelling to wilderness areas in India, Sri Lanka and east Africa and do know those destinations like the back of our hands. We have done snow leopards in India's extreme north, Hoolock Gibbons in extreme east, Wild asses of Kutch to Tigers of central India, From leopards of Sri Lanka to cheetahs of Serengeti, we have follwed the wildbeest migration from calving in Ndutu to the northern most point in Masai Mara. We know about it because we have been there many times with cameras and clients.

If you are looking for a serious photo safari in India, Sri Lanka and east Africa, then look no further. If we are good enough to handle top professionals like BBC Wildlife Divisions, National Geographic Film and Television, Andy Rouse, Theo Allofs, Daisy Gilardini amongst others, we must be good. Our clients and friends include multiple winners of BBC's Wildlife Photographer of the Year awards to Grand Teton awards in Jackson Hole Wildlife film festival. 

Planning your trip

Identify the subjects that you want to shoot and the best locations and the best times in the different locations to shoot them.
 
The first thing that you need to ask yourself is what all are you looking to shoot. Once you have figured this out then make an “Ideal Wish List” of all the shots that you want. You may never get most of them but this is a good way to start planning your trip. The next step after you have got your “Wish List” together is to identify the different locations, which would suit your purpose. 

Once you have frozen the destinations that you want to visit, the next step is to find out the best seasons in the different locations for shooting your preferred subjects. At the same time you would also need to figure out how many days would you need in each of your preferred destinations to get reasonably good photo opportunities. For instance, if you want to shoot Asiatic Elephants, one week in Corbett National Park in May, will get you a lot of great pictures. However, if you went to the same Park in December, a month would not be good enough.

Plan your itinerary well.

A well-planned itinerary will save you a lot of time and money. The two main things that you have to plan for are:

Travel arrangements – have to be planned so that you spend the least amount of time in transit and the maximum amount of time in the field taking pictures.

Naturalists, Guides and Drivers – These are the people who can make or break your trip. They are your local contacts who have probably spent years in the field and know the place like the back of their hands. It is very important to have a good local team and to build a good working relationship with them, since they are the ones who arrange the shooting opportunities.

Tips - Remember to tip your team well and to let them know at the onset that you are going to do so. If you pay peanuts you get monkeys and you definitely do not want monkeys to guide you in the shoot. I would not recommend anything less than Indian Rupees 500 for every outing.

Planning you itinerary well is easier said than done, especially if you are going to an area where you have not been before. Most of the Tour Operators and Ground-handling agents claim to know a lot about photography but very few of them actually do. One good way to find out how much your tour operator knows is to ask them specific questions and judge from the answers. You could also ask them to give you references of the photographers that they have dealt with and them cross check with the photographers.

Before your Departure, Care and Maintenance

Get information about your locations.

You definitely need some up to date information about all the places that you plan to visit, a few weeks before you leave for your trip, so that you come prepared. I have met a lot of people who land up with the wrong gear, without beanbags etc - just because they did not have the right information. Some of the most important information that you need is:

▪ Light conditions - The light conditions in most parts of India are highly variable depending on the seasons. For instance, in a Ranthambhore National Park (a great place to shoot action shots of tigers) the temperatures vary from 4 degrees centigrade (in peak winters) to 45 degrees Centigrade (in peak summers) and so the light goes from really soft in winters to really harsh in summers.

▪ Wildlife viewing – The kind and number of wildlife that you see depends a lot on the weather conditions. Generally speaking, you can see more mega-fauna in the summers (when the light is very harsh) than in winters (when the light is fantastic).

What you need is “current information” about the different locations, just before you are leaving for the trip and not general information about the different places.

Find out what all equipment you would need.

▪ Camera bodies – I would recommend at least two camera bodies for each format that you shoot in. I personally use three digital SLR bodies. This really helps because when action is happening I do not have to change lenses.

▪ Lenses – This is tricky one but I would recommend carrying one wide angle lens, one zoom in the range of 70 to 200 and one longer telephoto (300 mm is great for most mega fauna but may not be powerful enough for birds and lesser fauna). At least one of the two longer lenses should be a fast one (f 2.8 or 4.0). I own a 17-35 mm, one 24 to 70 mm, one 70 to 200 mm f 2.8 (an amazingly versatile lens), one 200 to 400 mm and a 600 mm. However during most of my travel within India, I leave the 17-35 mm and the 600 mm behind, just to keep my bags light.

▪ Digital Cards and Hard drives and/or Laptops – You are strongly advised to carry spare memory cards and to carry a portable hard drive and/or a laptop with sufficient memory. In most of the bigger towns you can download the cards on to a CD or DVD (just ensure that the pictures are deleted from the computer that they have been downloaded on as most Indians do not understand the meaning of copyright) but it is still better to carry spare memory.

▪ Tripod / Monopod / Beanbags - These are probably the most important pieces of equipment that you would need.  If you are going to do most of your shooting from jeeps or elephant backs then the tripods are not very useful. Monopods and Beanbags work very well if you are in a jeep. If you are on an elephant back then you have no choice but to hand hold the camera.

▪ Cleaning equipment – Dust is a big problem in India and you would probably have to clean the equipment every day. It is very important to carry all the cleaning equipment that you think you would need and you would need a lot of it. If you are using digital SLRs, be very careful when you change the lenses or you would end up with a lot of dust on the sensor.

▪ Bags – I would strongly recommend carrying one bag that fits all your equipment. It helps if you have straps on the back or a roller.

▪ Batteries / Chargers / Adapters – Indian electricity works on 240 volts and 50-60 Hertz and circular plug points. You may need to carry adapters for the chargers accordingly. It is recommended to carry spare batteries.

▪ Flash – Flash photography is not permitted inside most of the National Parks and Sanctuaries in India and in many ancient monuments. However, I would still recommend that you carry a flash, even though you may not be permitted to use them in many places.

▪ Equipment Rental - You can rent equipment in some of the big cities though it is much better to carry your own gear.
 
Check & Clean your equipment before you leave for the trip as there are not too many service outlasts in India. Insurance for the equipment is advisable though not necessary. In case the insurance is very expensive (and it usually is), you can do without it but just be very careful especially when you are in transit. Make a list of serial numbers of camera bodies and lenses.
 

Some tips for nature photography in India

 ▪ Vehicles, Drivers and Guides – Most of the wildlife photography in India is done from a small Suzuki jeep (locally known as Gypsys). These are not very comfortable but are very tough and do very well on bad terrain. There is often not enough space in these Gypsys to set up a tripod (unless you remove or fold one of the two rear seats). However, beanbags are very handy if you are in one of these vehicles. Since these vehicles are small, they can at the most take 3 photographers (ideally only 2). It is very important to get a good driver and/or a good guide and this is easier said than done. It is also very important to brief the driver and the guide (who is compulsory in most wildlife sanctuaries and parks) about the angles etc that you like. Its best to have a chat with them before or after your first outing.
 
▪ Best time in the day for shooting – The best light conditions are found in the early mornings and the late hours of the evenings. This is also the time when wildlife is most active. This is particularly true for summers, when the light is good only for about an hour or two in the mornings and evenings.
 
▪ Best time in the year for shooting – Generally speaking, in most parts of India, winters is a much better time to shoot than summers. In winters the light is softer, the wildlife more active and the backgrounds more colorful. However, this is a broad generalization. In summers, it is generally easier to find wildlife (this is most apt for mega-fauna like tigers, elephants, deer etc) because they tend to congregate around the few water holes that still have water.
 
▪ Dust – In most of India (especially in the wildlife areas) dust is ever present (and in large quantities). This can be tough for the equipment and it is advisable to be prepared for it. However, dust can also make for great backgrounds, particularly at dawn and dusk.
 
▪ Patience – You most probably already know about the amount of patience required in nature photography. However, I would like to add that in India you need far more patience than you would in other countries.
 
▪ Shooting from Elephant back – Elephant back safaris are very popular in many wildlife reserves in India (except in North-Western part of India). Elephants are the most marvelous off road “vehicles” and can reach almost everywhere. However, they are not very comfortable and on elephant back you have no choice but to hand hold the camera. If you are planning to do a lot of shooting from elephant back, then it is advisable to use high ISO and fast lenses. Image Stabilizing (IS) or Vibration Reduction (VR) technology is very handy when you are on elephant back. Wild animals show a lot of tolerance towards elephants and elephants can get very close to wild animals, so you do not need a very large telephoto when on an elephant back. I personally think that a 70 – 200 mm f 2.8 zoom (with IS or VR) on 400 ISO or more is ideal for shooting from elephant backs. Many a times, the high angle from elephant back does not make for great images. I, personally am not too keen on shooting from elephant back.
 
▪ Safety of your equipment – In most of the wildlife parks and sanctuaries, your equipment is generally safe. However, I would advise you to be very careful when traveling in trains and when you are in urban areas. In such areas, stick to your equipment.
 

Look out for bonuses

India, with its vibrant colors, diverse culture and teeming population is paradise for photographers. A friend of mine once remarked that if you blindfold yourself, take a camera and walk down a market, taking random pictures, you can end up with a few great shots – that is you do not get run down. India offers a lot of great photo opportunities in every day life. Take advantage of this and look out for bonuses. Even if you are going to a Nature reserve for photography do not miss the brilliant opportunities that you will get in railway stations, roads, markets, villages etc. I would recommend that you keep a camera handy all the time.